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Christopher Morley (The Birmingham Post): The Roswell Incident
31st / May / 1997
“Cunningly crafted… score.”
read allMichael Courtney Soper (Contact International UK): The Roswell Incident
26th / May / 1997
“A remarkable topical opera… both modern and approachable, outré and understandable… [the] audience… were captivated and enthralled.”
read allRodney Miles (The Times): The Roswell Incident
13th / May / 1997
“Hardy’s approachable score… ranges from Brittenesque nerviness… to New Age, neo-minimalist lyricism.”
read allDuncan Hadfield (The Independent): The Roswell Incident
3rd / May / 1997
“A powerful new opera”
read allPeter Reynolds (Opera Now): Flowers
1st / May / 1994
“Hardy’s 90-minute opera is gripping and intensely theatrical. He has a feeling for the dramatic ebb and flow of opera which can’t be taught but...
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