News / Reviews
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Rodney Miles (The Times): The Roswell Incident
13th / May / 1997
“Hardy’s approachable score… ranges from Brittenesque nerviness… to New Age, neo-minimalist lyricism.”
read allDuncan Hadfield (The Independent): The Roswell Incident
3rd / May / 1997
“A powerful new opera”
read allPeter Reynolds (Opera Now): Flowers
1st / May / 1994
“Hardy’s 90-minute opera is gripping and intensely theatrical. He has a feeling for the dramatic ebb and flow of opera which can’t be taught but...
read allKenneth Loveland (Musical Opinion): Flowers
1st / May / 1994
“The opera is driven from climax to climax by Hardy’s violent but irresistible score, rich in detail and full of diverse ideas… it creates a...
read allKenneth Loveland (Opera): Flowers
1st / May / 1994
“Hardy delivers his protest with conviction and with violence, and we are won to his side. The score… is rich and evocative… generous in...
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